OnSiteOpera: thoughts toward a paradigm shift

I had the pleasure of seeing On Site Opera’s Pygmalion at the Trimco Mannequin Showroom on West 25th St. I was sitting among – I would estimate – 75 people for the show that ran under an hour. In my short opera life I have only experienced grand opera in its fullest measure at The Met. I like that too but this was a vibe I could not have anticipated. I can only describe it as…well…personal.

I was an arms reach away from the performers – I could see the sweat on their faces – I could watch them working as they sang and drew bow over string – I observed their bodes rise and fall with breath – heard the clear, pure tones emerging instantaneously from their mouths and instruments washing over me in their freshly made sound waves. It was, ok I’ll admit, not breathtaking but it was sweet and charming and delightful and completely engaging.

I am used to and expect high theatrics from the Met. I go to get sucked into their vortex of awesomeness which sometimes is there and sometimes is not. I am not complaining about the Met. I love the Met & I want it to survive. I am also thrilled to discover an alternative to opera that allows me to be a participant, a witness, an up close and personal element to the performance. As the artists move, I move and I want more.
MMN

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