Scene: a cozy, darkened bedroom in the middle of the day. Sounds of the city float in through the opened window. A woman, Amy, lies in a hospice bed. Her husband, Sam, is bedside. It is the appointed hour of her death.
AMY
Are you there?
SAM
Yes I’m right here
AMY
Are you there?
SAM
Yes I’m right here
AMY
Where are we, Sam?
SAM
Home
AMY
One more hour, maybe
Take my hand
SAM
Yes
AMY
Don’t be frightened
I remember running in the park with you
You held my hand I wanted to let go
To run free
And you had to let me go
You are ever right here with me
Even in the tightest spots
Time to run
SAM
No
Are you there?
Are you, Amy
Please be there
Please be, Amy
AMY
Sam, let me go – now
Let me go
SAM
Amy
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This libretto comes out of my studying theatrical beats this week, as in, moments that make up a play. I wanted to try making a one-beat opera. Lacking any sort of focus I went to my playlist and found Cylinder Six. It gave me a perfect structure to build this monumental moment between two people. I didn’t expect to end up in tears by the time I’d finished. Read the libretto, listen to Chris’ piece then put the two together. Tell me if any of it worked for you.
Thanks for reading!
© Marianna Mott Newirth