So I met with composer/rabbinical student, Bronwen Mullin, last month and we spent a fantastic evening fleshing out the eight minute piece we created together this spring entitled Transformation II. (Video and audio will follow this posting later this week.)
There are few words one can use to sufficiently describe a collaborative conversation: flexible, intuitive, trusting (that’s a big one) and, well, fun!
Yeah, we had tons of fun making up scenarios and back stories and character traits. Then the fun continued with identifying themes and formulating a path to walk upon. It was like stepping out over a ledge and, together, building the ground in front of us so we could walk out over the edge again; step by step walking out into the, largely, unknown realm of storytelling and discovering ourselves in the process.
It’s not magical, it’s grinding work. The magic will come, I assume, after all the gestation, labor and delivery is done and we are holding a babe in our arms. Only then for a moment will the magic sparkle. Because then it will be time to gird our loins for putting an opera into production; a different beast, entirely.
When I begin doubting all I need to do is turn to maestro Protopapas’ posting – 8 Reasons Why Kostis Protopapas Programs American Operas – and I remind myself that now is the perfect time and I’m in the perfect place. I pick up my pen and return to writing.